Reviews |
GUITARIST (UK) July 1997. Hot Drive'n Boost An Excellent sounding and incredibly useful pedal, offering wide scope and usability, along with high-class construction and components. |
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FACHBLATT Musik Magazin April 1993. Hot Drive'n Boost Contrary to other actual distortion pedals, the Carl Martin pedal does not alter your basic sound characteristics of your instrument and amplifier, quite on the contrary, it offers additional sound nuances. |
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Bassist (UK) August 1995. CM pedals in general. High performance, low-noise pedals which can be used live or in the studio are rare beasts, but that's the case here. Pedals which work at this level of efficiency and are this well made, with this level of pedigree aren't cheap, but in the same breath aren't expensive either. If you appreciate paying for quality, the Carl Martins wont be found wanting. |
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GUITAR BUYER (UK) Feb 2003. CM pedals in general. Following their initial release way back in 1993 (is it really that long ago?), Carl Martin pedals quickly earned a strong reputation for producing studio-quality analogue effects within the confines of just a humble stompbox. Alongside the impressive build quality, another of the pedals' more interesting features was that they were among the first to offer two-in-one functionality along with a high-quality built-in power supply. |