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Lasse Thernoe CEO  Musikhuset Aage JensenA/S with the award 
at Musik Messe Frankfurt

The best sales achievement award 2008 goes to Musikhuset Aage Jensen a/s in Copenhagen, it is the first time the award goes to a store and not a distributor.
This is due to the simple fact Musikhuset Aage Jensen A/S has performed more than excellent sales in 2008.
"Peter Dorvil from Musikhuset Aage Jensen in Copenhagen explains; It has been a very good experience focusing on Carl Martin in 2008, not only seen from a musicians point of view but also a very fruitful business relationship, as we quickly found that with the sonic quality from CM, which is second to none on the Pro-Line, and the price/quality ration on the Vintage Series it is a product line which we with good reason can focus on, and recommend our customers. We don't get many returns, on the contrary we very often see a happy customers coming back, purchasing more CM stuff, and even changing their complete setup to CM.

So in short says Peter Dorvil we push CM because we get happy customers, and happy customers come back for more, it's simply good business.

And hey good gear makes music!!!!!!!!!

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The Carl Martin Rock Bug is an Amp/Speaker Simulator and Headphone rehearsal unit that operates on a single 9v battery. Although this type of accessory is not new, we believe there is nothing on the market that feels as real or sounds as realistic as the Rock Bug! You simply get the feeling that you are playing through a good tube amp. Just plug your guitar (with or without pedals) into the unbalanced ¼” input, plug your favourite headphones into the unbalanced ¼” output and off you go! Adjust your instruments’ volume with the Guitar knob, select an open cabinet or closed cabinet simulation with the mini-toggle switch, and wail away through the privacy of your headphones. If you like, use the AUX stereo inputs and add an MP3, CD or DAT player to the mix; adjust the Master volume for your music, blend in your guitar sounds with the Guitar volume, and either play along with your favourite cd’s or add a personal touch to your pre-recorded backing tracks. Utilizing the balanced XLR output, you can connect your Rock Bug to a mixing console for recording, solo gigs accompanying the pre-recorded music with your live guitar, or as a DI for live performance when you are packing light, or your amp goes down. You might not think an Amp-Speaker Simulator is new, but with all these features, the Rock Bug is the little Danish-Swiss Army Knife that belongs in the pocket of every guitar-players gig-bag!

Check out a sound sample here, with the Quattro going through the Rock Bug direct to Pro Tools
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One day while Carl was adding some compression to a guitar track in his studio, he thought, why hasn’t anyone built a small opto-compressor for guitarists?  An optical compressor performs gain reduction control via a light source into a photo sensitive cell... as the light source gets brighter, the photo sensitive cell sends a signal to reduce dynamic range, or what becomes a compressed signal.  Welcome to the Vintage Opto-Compressor….an old-school compressor from the days where colouring was an important factor to the sound.  The four controls (from left to right) are the Gain, which controls the ‘pre-glow’ of the optical circuit (the more you turn this up, the fatter the sound); Level, which controls the overall volume of the compressor; Compression, which controls how hard or soft the compression is, and the Attack control which takes the signal from transparent to outright total squeeze.  A short time with this compressor will allow you to find some of those classic guitar sounds which may somehow have escaped you before.  Again, like all the Vintage pedals, the Opto-Compressor comes in a solid diecast housing with cool chicken-head knobs, CM colour and graphics and a 9v battery compartment.  Due to the nature of compressors, we highly recommend a regulated power supply (like the CM Big John) or a large stock of batteries…..
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Carl Martin is doing a groovy thing out there man….  Introducing the Vintage Flanger; designed for those guitarists who desire this unique form of modulation.  The Vintage Flanger has four knobs to control Speed, Depth, Pre-delay and Feedback, plus a dual speed mode that is foot-switchable.  There are no rules with a Flanger, just plug this versatile modulation pedal in and play play play.  As with all the Vintage pedals, the Flanger comes in a solid, diecast housing with the cool CM graphics and chicken-head knobs.  It can be powered by 9v battery or a (recommended) regulated 9v power supply like the CM Big John.
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What Vintage series would be complete without an ultra-versatile and simple to use drive pedal?  Funny, that’s what Carl said just before he introduced the DC Drive.  Just like Carl, this pedal has a few tricks up its sleeve.  Besides the typical Level, Tone and Drive knobs which obviously control the volume of the signal, the tone (hmmm, which knob?) and the amount of overdrive, Carl has smartly added a clean boost after the drive section, and a Regular/Fat switch….not so typical.  In Regular mode, the drive is crisp and clear, suitable for anything that calls for old-school drive….switch over to Fat and the drive gets thicker with a lot more gain, much more modern. Anyone who knows the Carl Martin line is familiar with his Clean Boost….a bump-up in signal volume that can be used either with your clean or overdriven sounds.  The result is a multi-use pedal that allows you to have a variety of rhythm and solo volumes at your feet. Like the rest of the Vintage line, the DC drive comes n that cool retro diecast housing with the equally cool chicken-head knobs and CM graphics.  The pedal can be powered by 9v battery but we recommend a regulated power supply like the Carl Martin Big John.

Listen to the DC-Drive HERE!
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